She made the words matter, not just through clear German diction but through the meaning and intention of the phrase.” Goerke’s performance of this daunting role was driven by what her character was saying. This combination of live performance and projected digital environment will allow you to experience some truly stunning moments – with some performers growing in size and towering over others or traveling at high speed through dynamic environments: bringing Wagner’s fantastical world to vivid life as you’ve never seen before.Īt its premiere with the LA Philharmonic in July, the LA Times called it “A one-night miracle.” A truly can’t-miss event. Using Unreal Engine, the same 3D computer graphics game engine utilized for games like Fortnite, performers will act in real-time in front of a greenscreen, and simultaneously be placed into a retro-futuristic digital world viewable in real time on three giant, immersive 20 foot screens. Detroit Opera’s own Yuval Sharon and Christine Goerke join forces in this unique production which zooms in on the drama of Act III, beginning with the unforgettable “Ride of the Valkyries” and ending with “Magic Fire Music.”
Trained at Guildhall School of Music.Wagner’s best-known music – seen & heard like never before.Ī high-tech treatment of the most famous act in Wagner’s Ring Cycle makes this an experience you will not want to miss. She regularly appears in cabaret and concerts internationally, and broadcasts on BBC Radios 2 and 3. Most recently- Abomination A DUP Opera for The Belfast Ensemble. She has worked with the English National Opera, Glyndebourne, Scottish Opera, Opera North, Glimmerglass, Canadian Opera Company, Nice, Antwerp, National Theatre of Prague, Opera Northern Ireland, Atlanta, Ottawa, Spoleto, Ravenna, Chicago Opera Theatre.
Opera includes leading roles in Lulu, Cunning Little Vixen, Seven Deadly Sins, The Pearlfishers, Figaro’s Wedding, Cosi Fan Tutte, Magic Flute, Carmen, The Barber of Seville, Il Re Pastore, Rigoletto, Fidelio, Julietta. Since then her many theatre credits include Christine in Phantom of the Opera in London and Toronto Salad Days (Riverside Studios) The Sound of Music (national tour) The Mikado and Harold and Maude (Charing Cross Theatre) Flowers for Mrs Harris (Sheffield Theatres) Preludes (Southwark Playhouse). She made her West End debut as Laurey in Oklahoma!, sang Eliza in My Fair Lady on national tour, and after making her debut at Glyndebourne in L’incoronazione di Poppea, created the role of Cosette in Les Misérables for the RSC. Born in Toronto, Rebecca Caine’s career has been divided between opera and musical theatre.
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